木料、油漆、丙烯 / wood, paint, acrylic，224×450×80 cm，2010
木制、白底和手写的红色标语，几乎是抗议牌的美学规范。英文的普及又使跨地域解读成为可能。制作“万用抗议牌”缘自我对于对抗性的政治表达的观察和一种身体力行。
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Consisting of wood, a white plinth base and handwritten red banners, the work closely approximates the aesthetic norms of protest banners. The universal spread of the English language allows for trans-regional interpretation of the banner's content. The work Universal Protest Banner stems from my lateral observation and an actual practice of adversarial expression.
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展出履历 / Related Exhibitions:
Happy Once, Happy Twice，CCC跨文化中心，上海，2022
置·叙: 一场关于自由和秩序的游戏，201空间，那里花园，北京，2021
社会情绪，Cc基金会&艺术中心，上海，2017
时间的图景：青年的尺度，第四届三亚艺术季，三亚，2015
错的是你，Matchbox Gallery，莱斯大学，休斯敦，2014
入戏出戏 — 刘辛夷、王韬程、叶甫纳三人展，余德耀美术馆，雅加达，2013
探员L，空白空间，北京，2012
Happy Once, Happy Twice, Center for Cross Culture, Shanghai, 2022
Placing the Narratives: A Sport about Freedom and Order, 201 Space, Nali Patio, Beijing, 2021
Social Emotion, Cc Foundation & Art Centre, Shanghai, 2017
Scenarios of Time: Inter-Subjectivity, The Fourth Art Sanya, Sanya, 2015
You Are Damn Wrong, Matchbox Gallery, Rice University, Houston, 2014
Action…Cut! — Liu Xinyi, Wang Taocheng, Ye Funa Joint Exhibition, Yuz Museum, Jakarta, 2013
Agent L, White Space Beijing, Beijing, 2012
